I presented a keynote at the Mapping Festival in Geneva, Thursday May 25th, 2019. The reading from a chapter of the same name, Unlocking Proprietorial Systems: For a More Expansive Artistic Practice, from my PhD. After my talk a few people asked whether the chapter was available to read online for download. Sadly, as part... Continue Reading →
Interviews with Working-class Autodidacts Practising in the Field of Media Art, and Activist Art Culture. Introduction This paper draws from of an autoethnographic study about Furtherfield, London’s longest running centre for art and technology. Since 1996, the organisation has formed alliances with artists, technologists and activists, who have dedicated their lives to learning and updating... Continue Reading →
The mainstream art world has been locked into its own proprietorial* systems for years, closing down possibilities for emancipation in the arts. It is clumsy and out of date. Cultural evolution and its expansion is stunted by a complex blend of: conservatism, colonialism, imperialism, conformity, and submission to market dominated directives, which unfortunately lead to... Continue Reading →
Marc Garrett performs an updated version Gerrard Winstanley's 'A Declaration from the Poor Oppressed People of England' originally published in 1649, at Transmediale 2018, Berlin.
The American born artist Jennifer Lyn Morone registered herself as a corporation in 2014, founding Jennifer Lyn Morone™ Inc. As the founder, CEO, owner, shareholder and product of her own company, she sells, leases, rents or invests her personal data for her own profit. She has commercialised her hormones and diamonds made from her hair,... Continue Reading →
I'm doing a series of presentations in relation my paper Unlocking Proprietorial Systems, from a chapter of my autoethnographic PhD research. It will be in the form of presentations and workshops, exploring how this learned knowledge can be used in ways that enhance and or bring about social and cultural change. In it I ask... Continue Reading →
I have just finished Chapter 3 of my PhD, and it's called 'DIWO (Do-It-With-Others): Co-creation and Decentralizing Artistic Practice'. In its original form it (still) exists as a peer reviewed published paper for the SEAD: White Papers, in 2013. [1] The new refreshed version has been quite a journey. Not only because of writing the... Continue Reading →
This is a resource page for two touring exhibitions Monsters of the Machine: Frankenstein in the 21st Century and, it's smaller version Children of Prometheus. Monsters of the Machine: Frankenstein in the 21st Century, was first exhibited at Laboral, Spain, from 18th November 2016 - 31st August 2017. It featured Artists (no particular order): Lynn... Continue Reading →
I'm looking forward to be moderating at the 'Drones: Eyes From A Distance' conference on the 18th April in Berlin, this Saturday. As part of Furtherfield's partnership with the Disruption Network Lab I will chair a panel with Tonje Hessen Schei (filmmaker, NO), Jack Serle (investigative journalist, UK), Dave Young (artist, musician and researcher, IE).... Continue Reading →
A small snippet (draft) from my personal statement - which is part of my PhD intro... When one is living on a council estate - bred within a culture which, as part of its everyday existence, issues forth a regular diet of violence in a myriad of forms, as well as a bad education system and... Continue Reading →
