This residency and exhibition will allow me to reexamine my artistic connection with nature. After spending over 25 years working with digital technologies.
Category: Interviews, Articles, Papers, reviews
Living the Proposition – Art Worlding and The Hologram
We need to build on, reevaluate, and relearn from the already progressive and insightful enrichments that art, technology and activism have generously produced and given us through the years – into more personalised, informed, shared, grounded disruptions.
Magnificent Failures Collide
This essay revisits a time when both Punk and Situationism flourished in the UK. When a whole generation of radically … More
Introduction to the ‘Unlocking Proprietorial Systems’ Keynote, at the Mapping festival, Geneva May 25th 2019
I presented a keynote at the Mapping Festival in Geneva, Thursday May 25th, 2019. The reading from a chapter of … More
Interviews with Working Class Autodidacts Practising in the Field of Media Art, and Activist Art Culture
Interviews with Working-class Autodidacts Practising in the Field of Media Art, and Activist Art Culture. Introduction This paper draws from … More
Unlocking Proprietorial Art Systems interview: with Artists, Gretta Louw, Antonio Roberts & Annie Abrahams
The mainstream art world has been locked into its own proprietorial* systems for years, closing down possibilities for emancipation in … More
To the Lords of Google Earth
Marc Garrett performs an updated version Gerrard Winstanley’s ‘A Declaration from the Poor Oppressed People of England’ originally published in 1649, at Transmediale 2018, Berlin.
Unlocking Proprietorial Art Systems – Presentations & Workshops 2017-2018
I’m doing a series of presentations in relation my paper Unlocking Proprietorial Systems, from a chapter of my autoethnographic PhD … More
Autoethnographic PhD of Furtherfield and DIWO Culture
I have just finished Chapter 3 of my PhD, and it’s called ‘DIWO (Do-It-With-Others): Co-creation and Decentralizing Artistic Practice’. In … More
Presentation: Furtherfield and Contemporary Art Culture – Where We Are Now
The paper was an early draft of what is now called Furtherfield and Contemporary Art Culture – Where We Are … More
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